- What stock I will use
- Emboss or deboss
- Use a stencil of the letter put it over a camera lens to capture a letter in a odd angle, changing the aperture of the lens
- Make the letters look like they're moving off the page
- Try filling them in
- Stream idea, changing the direction of the stroke
- Join the S like it's been captured with a rope
- Negative copy
FURTHER DESIGNS AFTER CRIT
10.
Here i've changed the angle of the Q to represent photography, I wanted to make sure you can still understand what letter it is, I'm not sure about that this one. I think the shape is a bit lost but I may fill it in to create more of a bolder look.
11.
This is the first letter I've done and filled it in, normally I don't like thick and bold type, but I think because i've closed the aperture, as if it'd been captured, it suits it being filled in to create of a clearer typeface.
12.
I've taken the brackets off the capital G to create a sans serif because I wanted it to look quite simple, this letter is about the negative and positive exposure in photography, which I find quite a complicated process.
13.
I wanted to play around with the letter L because I could see how extending the brackets up would create the idea of space being captured. Unfortunately, I think it looks really bad and not even like an L.
14.
I've created a gap between the neck of the g to create an aperture to show a catch and movement. I blocked it in to make it clearer and quite like this manipulation.
15.
One of the other meanings for capture is when a river bed changes the route of the river, so I tried this with a K and Y and think it's quite interesting, I think i'll carry this on for one the final variations.
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